When David Fincher and Aaron Sorkin made The Social Network in 2010, a lot of discourse was generated with a lot of genuine surprise that a film about people being in front of their computers would be so compelling to watch. There was reason for that reaction: there had been and have been many films that fail to really engage in modern communications whether on computers, social media, or texting. Many filmmakers and shows outright avoid ‘the smart phone issue’, setting films in periods that predated that technology or build a world where characters simply do not engage with those ways of communication and online interaction in the narrative. But as this decade has grown from The Social Network, there has gradually developed a syntax for how films use and integrate people on computers and smart phones, how people use social media and the ways people on those platforms use technology, such as cataloguing and uploading videos. Two works, a feature film and a television program, Cam (Daniel Goldhaber and Isa Mazzei) and season 2 of American Vandal (Dan Perrault and Tony Yacenda) show the multifaceted complexities and personal stakes tied to each of their digital landscapes that go to show that you cannot just ‘get off your computer’ to remedy things when something bad happens to you online.
Cam and American Vandal, both available to stream on Netflix, both make perfect sense as entertainment to watch on your computer or electronic device. The films are not merely about their characters being entangled on the Internet–both use real-life platforms, apps, websites, and even in some cases create their own fictional but cannily similar to real-life websites and platforms which nail the dialogue our characters have with the great unknowns on the other side of their communications.
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